Along the same lines, we wanted to apply this idea to the establishment in Madrid: the facade, previously black, was covered in white. Thus, even the possible graffiti (trace of the urban daily life) would be part of the initial thought: mutable paintings on the surface of the gallery itself. We also incorporated a sign that is capable of adopting different colors when illuminated, reinforcing the intention to modify Travesía Cuatro depending on the work it exposes. On the street, a methacrylate banner. From top to bottom, inside out: canvas at the disposal of art.